For this reading diary, I wanted to concentrate on the story
about the two brothers. I loved the
story – it’s intricate and it seems like it was just one thing after another
for poor Bata. I wish there was more detail about exactly what kind of markings
a sacred bull had. So I did some
research.
The markings of an Apis bull – a bull who represented Ptah –
had a black body with a white triangle on his forehead, a white vulture wing
outline on his back, a scarab mark under his tongue, a white crescent moon on
his right flank, and double the amount of hairs on his tail.
I thought that something with this high of a level of
importance to Egyptians would mean that there would be more artwork featuring
these types of markings. But there are
only two – one shows the white triangle and the other shows the vulture wing
outline.
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Adorning the Apis bull for the ceremony by Jean Baptiste Coene [x] |
Procession of the Apis Bull by Frederick Bridgman [x] |
Considering the amount of time people put into reviving
nearly extinct horse breeds (the Przewalski’s horse, for example) or even all
of the attempts to bring back the Woolly mammoth and Pyrenean ibex, I’m
surprised someone hasn’t tried to re-create these markings so that they
resemble one breed. Then again, that
would cheapen the significance of the markings – which served as a sign of Ptah’s
presence.
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